For the Twenties Unscripted fifth anniversary, I’ve invited five writers who have been anchors throughout my journey to contribute guest posts during the month. I asked each writer to pen whatever they’d like relative to the theme of transformation and turning tides.
The series rounds out today with Roconia Price.
Roconia is the quiet storm. When we first got together for a dinner at Founding Farmers in 2015, she spent a good fraction of the time just listening to me chat about everything and nothing. It wasn’t until the end of dinner when she peeled open a notebook to reveal a host of ideas for her upcoming event, each concept bubbling over with her signature sense of thoughtfulness and brilliance. Roconia’s creative genius often times speaks for itself; it doesn’t require pretense or pomp and circumstance. You don’t always see it coming, but when it does, it whips, roars and downpours. I’m so excited to close out the transformation and Turning Tides series with her piece, “The Girl On Her Knees: An Undefining Moment.”
I can see you now. Telling the woman beneath you that your nana was Chippewa and that “Roconia” is Ojibwe for “honor.” I can see you tracing her lips with your thumb, telling her that’s why the word was inked on your left pec. Kissing her. For your nana. Kissing her. For honor.
Maybe you wouldn’t think twice about that day, your narrative feeling so natural it could replace the truth. Or maybe you would, diving deep into her neck to chase away that image of me before you on my knees, imploring you not to tattoo my name on your heart.
I might have been 20 then, maybe 21. I had only come back to haunt you. To give you just enough of me that you might thirst for more. To keep you close, clinging to the idea of my forgiveness so I could sting you like a scorpion, over and over again. I sat before you on my knees, giving you elevation over my eyes, but never again over my heart. I blinked calmly, coldly, as your declaration of love passed through me like air.
“Don’t,” I said.
I told you that day that your actions would not be reciprocated. That ink is not the AED for defiled trust, that it can’t undo disappointment, that under no circumstances would your name be permanently endorsed on my skin. You took it like a wounded soldier, valiantly limping to your next resolution. You didn’t care, you said. I could do what I wanted. But you would get that tattoo. And you’d tell anyone who asked that Roconia was your first love, that Roconia would always be the name in, and above, your heart.
But I can see you now, using that same synthetic sincerity to reel in a new catch, spewing that guff about your Native grandma. And your lady would lap it up, believing that when she traced the writing on your chest, she was coming in contact with your honor.
I’ve tied a piece of my transformation to that moment on my knees. It was an undefining moment for me. One that had no direct correlation to the growth I’ve experienced since then, but one that still flares up when I think of the woman on the brink of a new me. There wasn’t any revelation that day. My heart and mind still tripped over each other like two left feet. After I refused your tattoo I fell back into your arms and we rocked to our own played out rhythm all afternoon.
This is me admitting to myself, to God, to the internet, that in some ways, I have not grown much since then. I can still be Petty Price, laughing at the woman you cheated on me with, and the baby that surprised us both. Letting you access me on social media so you can eat your heart out, tattoo and all. But in other ways I’ve matured like a 1994 Bordeaux. I only give the kindness and forgiveness I want to receive, and never say it’s okay when I truly don’t mean it. No longer hold anyone close with the hope of getting the knife in a little deeper.
My life seems to be a series of these undefining moments and I’ve named them like art in my autobiographical gallery. The Girl on Her Knees; The Girl in the Basement; The Girl at the Book Fair; The Girl in the Principal’s Office; The Cool Girl; The Girl in the Law Office; The Girl in Church; and my latest, The Woman.
I want to believe that as I grow I become all around better. But I’m more like the silt at the bed of a river, being sifted and settled in an array of areas by the undetected tides of time. I am not a better woman today, just a different one. And the tides keep turning.
Roconia Price is a storyteller and creative spirit, running on sunlight and sisterhood. She writes at eversoroco.com. She is very tall.